Situated in the existing metro system of Stockholm, Sweden, known for its colorful bedrock cave structures, the artists photographed the tunnels, digitally introduced vegetation, adjusted the lighting and animated the scenes with the intention of bringing a wilderness into these unique spaces.
Subterranean networks are perhaps the most effective method of transportation within urban environments. Cities of the future will incorporate tunnels that allow for multidirectional travel in three dimensions.
It is a fascination with these concepts that initially brought the artists to the subject matter of the underground.
Subways function as vessels that defy our sense of space and time, continuously operating with repetition in a cyclical pattern. This seemingly endless cycle of arrival and departure in the underground is portrayed in Tunnel Vision through the circulating footage of escalators, and a train that comes and goes seemingly looping endlessly.
The standard notion of public transport networks operating as usually chaotic places, is transcended by the introduction of peaceful plant life and other natural elements in these cavernous spaces. Koopmans and Wexell aim to transport the viewer into an alternate location, a surreal world that combines aspects of life above and below ground.
The topic of the built environment and its relationship with nature is a theme that runs throughout much of Koopmans' work. For Alice Wexell, originally from Stockholm, it was an interesting experience to have had a new perspective on a familiar locale and transform the typically stark spaces into imaginary scenes.
Together their aesthetic and conceptual sensibilities combine to form a series of meditative moving images.
The pieces feature original music and soundscapes by Swedish composers Tobias Hellkvist and Erik Thomé.
Tunnel Vision: Rush Hour
Tunnel Vision: Awakening
Tunnel Vision: Habitat
Tunnel Vision: Horizon
Tunnel Vision: Transcendence
Tunnel Vision: Machine